片名：《星野明作品-美国男人的大鸟》

简介：该片讲述了:郭皇后被废后降✍为净妃，郭氏知道赵祯♥立了新皇后便开始√☀寻死觅活，想以此引起赵祯☴☛的同情，内侍阎文应√将这件事禀报☢✍给曹丹姝，还添油加醋地说☝✖了郭氏对赵祯大逆不道☣♡的事情，想要让曹丹姝严☐惩郭氏，但曹丹姝却没有♦上当，还警☯☜告阎文应以后不要再犯类似♡☎事情。Sco☲rsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.